May 18, 2015

Beyonce and Nicki were spotted weeks ago at Coachella, shooting scenes for their video, “Feelin Myself”, which is lifted off of Nicki’s latest album, The PinkPrint. Well the video is finally available, and where can you find it at? No other place than #Tidal. Click here to watch it.

#FeelinMyself video now on @TidalHiFi #NickiMinaj #Beyonce #Barbz #BeyHive #PinkPrint

A photo posted by The Beyonce World (@thebeyworldcom) on

April 26, 2014

“Pretty Hurts” was announced as the new single from the visual album “BeyoncĂ©”. VEVO premiered the music video last Thursday, so make sure to watch it right below! released a behind the scenes video, click HERE to watch.

The visual album BEYONCE is available on iTunes, be sure to purchase it if you still haven’t.

February 28, 2014

VEVO Certified is an award, for fans and by the fans, celebrating music videos with over 100 MILLION views and Beyoncé has got another certified video!

Her music video for “Drunk In Love” starring Jay Z has just become officially VEVO Certified with 100 million views and counting. This is the first music video from the visual album “BEYONCÉ” to get certified by VEVO.

You gotta hand it to BeyoncĂ©…her video ‘Drunk In Love’ starring her man Jay Z has just become officially #VEVOCertified! 100 million views ‘n counting, WOW! Keep ’em coming guuurl

Congratulations, Bey!

February 25, 2014

BeyoncĂ©’s official VEVO Youtube channel just uploaded the full “Partition” video. It seems like this is the third single from “BEYONCÉ”. Who’s excited about it? #BeyoncePartition is now Worldwide Trending Topic on twitter, because the Queen B is “the girl [we all] like!”. Watch it below:

January 22, 2014

Me and 40 work on projects and he normally hits me like, “Hey, I might need something for this.” I think at the time we were working on [Drake’s] Nothing Was the Same and then he came and said, “Yo, BeyoncĂ©, we gotta do something.”

So then I had some ideas and he was like, “All right, that’s dope!” We had the idea, then we added some chords and we took it to the studio, Drake added some words to it and the rest is history. It was all done at Jungle City Studios, which is right in [New York City].

Initially, I didn’t really know where it was going to go. I didn’t know it was going to be for BeyoncĂ©’s album. I figured it could have been one out of a hundred tracks she recorded or listened to. So I didn’t know it was going to be ‘that’ joint. I’ve been in the game for a little while so I’ve learned you can’t really expect anything. You usually have to wait until something happens. You can’t really have high expectations in this music industry.

I was just like, “If it happens, it happens.” Then of course it happened sort of out of the blue. I sort of knew when everyone else knew. So when everyone else found out [after BeyoncĂ© did the surprise LP release], that’s when I found out. You have to treat it as business as usual. It’s definitely a boost because in this industry, it’s about relevancy. You’re as dope as your next record or album.

Now show us if you are reppin’ or co-sign any artists out in North Carolina! Get at us on Instagram with #sohhpix

Check out BeyoncĂ©’s “Mine” (snippet):


Source: SOHH

January 21, 2014

Unless you’re asexual (or Keri Hilson), it’s impossible to hear Beyoncé’s “Rocket” and not feel an intense urge to invite your guy/gal/cutty buddy over to do the no-pants dance. And according to the song’s author, the song was written with that in mind.

Miguel, who penned Bey’s 2013 update to D’Angelo’s rhetorical classic “Untitled (How Does It Feel),” says he was challenged by Mrs. Carter to push the envelope with some of her most risqué lyrics yet.

“I’ll never forget the conversation I had with BeyoncĂ© and her insisting that nothing was off-limits,” Miguel tells VIBE. “And me being like, ‘Oh yeah, you sure? Because I can really take it there.’”

And take it there he did. Once Miguel got the OK from Yonce, he came up with the song’s definitive opening line: “Let me sit this ass… on you.”
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January 21, 2014

When BeyoncĂ©’s surprise self-titled album touched down last month, a minor mystery quickly shot out from the forest of the album’s liner notes. Among the usual suspects—Timbaland, the-Dream, Pharrell, Hit-Boy—someone by the name “Boots” was everywhere on the record. He wrote and produced “Haunted”, “Heaven”, and, perhaps most strikingly, “Blue”, the song dedicated to BeyoncĂ© and Jay Z’s daughter. He sang backup vocals on and performed many or all of the instruments on several songs. In an interview, BeyoncĂ© name-checked him as “an innovator,” while a member of her creative team tweeted the only currently available picture of Boots, with the note that he had “co-produced 80 percent of the album.” Within seven days, the query “Who is Boots?” had racked up 452,000,000 Google results.

So who is Boots? When I meet him at a Brooklyn restaurant down the street from his apartment, I have already agreed to some ground rules: I can’t ask about his real name—even though Complex, The Broward Palm Beach New Times, and now even his freshly-minted Wikipedia page identify him as Jordy Asher, a Miami-based musician who spent time in a number of rock bands, including Blonds. He doesn’t want to talk about any of the projects he’s worked on before now. And he’s cagey about how, exactly, BeyoncĂ© discovered his demo, saying only, “That’s for BeyoncĂ© and me to know.”
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